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_this breath: Fabricated Emotions

October 5, 2021 Carl Kuddell
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Fabricated Emotions

Fabricated Emotions are emotional beings crafted from concrete, textiles, blankets and discarded clothing to explore how we really feel. Curated as a series of sculptural installations, Fabricated Emotions are made with artists and communities in response to despair and anger arising from climate crises, inter-sectional violence and systemic injustice.

Fabricated Emotions: Lost Connection, Coral St Artspace Oct 2020. Photo: Johanis Lyons-Reid.

Fabricated Emotions: Lost Connection, Coral St Artspace Oct 2020. Photo: Johanis Lyons-Reid.

LOST CONNECTION

lost connection, 2020, concrete communication artefacts depict the deification of our thoughts. All hail our networked isolation. We are the gods of landfills and the high priests of hope. Stay positive, subscribe and like your own reflection, corporations care for us.

How do we disconnect from the empire of illusion?

Artists: Jen Lyons-Reid, Carl Kuddell, Felix Weber

Fabricated Emotions: Lost Connection, Nexus Art Gallery Nov 2020. Photo: Aaron Schuppan.

Fabricated Emotions: Lost Connection, Nexus Art Gallery Nov 2020. Photo: Aaron Schuppan.

LULLABY

Lullaby, 2020, is a Shrine to Comfort, an altar to the desire for shelter, care and harmonic entombment.

A child-centered bunker projects a bright and caring future. Enduring education toys and confectionary rewards help enrich and pacify our future generations. Stocks are limited.

How do we embrace our despair and practice playful solidarity?

Artists: Jen Lyons-Reid, Carl Kuddell, Felix Weber

Fabricated Emotions: Lullaby, Nexus Art Gallery Nov 2020. Photo: Aaron Schuppan.

Fabricated Emotions: Lullaby, Nexus Art Gallery Nov 2020. Photo: Aaron Schuppan.

Bunker Rulz 4: Pacify despair. The desire for comfort diminishes our ability to feel for others and act in solidarity. The Colony needs us to lack empathy for the people and things it exploits, and offers comfort and pain relief to ensure our compliance in the face of ongoing injustice.

Despair is frowned upon, taboo, don’t talk about it. Depression is often seen as contagious, something to hide and to lift yourself out of, a personal responsibility, a shameful trait, a human defect, not the symptom of a societal root cause. We medicate despair, opt for comfort to smother it. But comfort is corrosive, it eats away at our ability to feel empathy when we pacify our deeper, less comfortable emotions.

How do we smother our grief?

What happens to our empathy when we pacify our emotions? How do we debunk the myth that comfort is safe? Who benefits from collective hopelessness? How do we embrace despair?

What can't we afford to feel, think or say?

Fabricated Emotions: Lost Flock, Fabrik Arts Lobethal. Photo: Sam Roberts

Fabricated Emotions: Lost Flock, Fabrik Arts Lobethal. Photo: Sam Roberts

Lost Flock (On the Consequences of Comfort)
Lost Flock is a work by textile artist Deborah Prior to be launched at Fabrik Arts & Heritage Lobethal. Collaborating with Jen and Carl on Fabricated Emotions, the woollen shelter installation explores the suppression of despair, the numbing of pain and avoidance of feelings in the name of comfort. How do we celebrate comfort as quicksilver?

Fabricated Emotions: Can You See Me Now?  Coral St Artspace, Victor Harbor. Photo: Johanis Lyons-Reid.

Fabricated Emotions: Can You See Me Now? Coral St Artspace, Victor Harbor. Photo: Johanis Lyons-Reid.

Can you see me now?
Can you see me now? is an update on the 2018-19 collaboration between Ngarrindjeri poet Clyde Rigney Jnr, Jen Lyons-Reid and Carl Kuddell. The sculpture uses poetry and Ngarrindjeri archival images of Clyde’s ancestors Grace and Daniel Gollan, printed on mirrors, to explore despair, identity and numbness. How do we embrace our despair in solidarity?

Fabricated Emotions: Concrete Prayer, Coral St Artspace, Victor Harbor. Photo: Johanis Lyons-Reid.

Fabricated Emotions: Concrete Prayer, Coral St Artspace, Victor Harbor. Photo: Johanis Lyons-Reid.

Provocateurs corner: The installations explore the suppression of despair, the numbing of pain and avoidance of feelings in the name of comfort. Comfort for whom? How comfortable are we with injustice, with the ongoing deaths in custody, the over-representation of Aboriginal people in our prisons, with refugees rotting in offshore camps? We can be comfortable because our privilege protects us, but this desire for comfort diminishes all our experiences and our willingness to fight selflessly for the rights of everyone to live a dignified life.

Lost Flock, Fabrik Lobthal. Photo: Sam Roberts.

Lost Flock, Fabrik Lobthal. Photo: Sam Roberts.

Credits

Curators: Jen Lyons-Reid & Carl Kuddell

Creative development, creation and sculpture/ installations: Jen Lyons-Reid & Carl Kuddell, Clyde Rigney Jnr, Deborah Prior, Cedric Varcoe, Felix Weber

Projection art: Jen Lyons-Reid & Carl Kuddell, Clyde Rigney Jnr

Provocations, text and cartoons: Jen Lyons-Reid & Carl Kuddell

Poetry: Poets tba

Photos: Change Media, Sam Roberts, Aaron Schuppan, Johanis Lyons-Reid

Venues: FabriK Arts Lobethal, Nov 7 - Dec 6 - and you can find some of the works across all our venues.

In 2018-2020, art Tags sculptures, this breath, lost flock, fabricated emotions, 2020

_this breath: trending

October 5, 2021 Carl Kuddell
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Trending

Don’t Convert Shock

Trending

A tsunami wish-fulfillment sculpture of plastic bags embossed with faces challenges us to re-imagine the addictive quality and true cost of rampant consumerism.

DREAMCATCHER

dreamcatcher is part of Trending, 2020, a tsunami of plastic bags embossed with faces exploring the addictive quality and true cost of rampant consumerism. Plastic bags caught in flight, sport the Eternity emblem, and are embedded in resin for future use.

How do we debunk the delusional stories that more is better and celebrate de-growth?

Artists: Jen Lyons-Reid, Carl Kuddell

Trending: dreamcatcher, Coral St Artspace Victor Harbor. Photo: Johanis Lyons-Reid.

Trending: dreamcatcher, Coral St Artspace Victor Harbor. Photo: Johanis Lyons-Reid.

Bunker Rulz 3: Convert shock. Convenience is addictive. The Colony preaches TINA, there is no alternative to capitalism, and offers 24/7 distractions from creating sustainable, just social systems.

The supremacy of TINA has trapped us in a cocoon of instant consumption, convenient filter bubbles, disinformation and manufactured consent. When that bubble burst, how do we respond to the shock that our actions are destroying our world, causing oppression, extinction events, pandemics and climate catastrophes?

Shock is the sudden recognition that this is really happening. Shock brings disbelief and can make you question the nature of your reality. A shock to the system, a traumatic event, a face in the mirror that recognizes convenience got us hooked, that ignorance is not bliss.

How do we debunk the delusional stories that more is better? How is our privileged ignorance shaping our values and actions? How are our desires being manipulated? How do we speak back to these toxic trends, that zealously spread dis-information and alt-facts in the name of convenience?

How do we celebrate de-growth?

Trending, Lobethal Bushfire zone. Photo: Change Media

Trending, Lobethal Bushfire zone. Photo: Change Media

dreamcatchers
dreamcatchers are part of the Trending installation by Jen Lyons-Reid and Carl Kuddell. Fossilized plastic bags captured in resin are testaments to our addiction to fossil fuels. How do we debunk more is better and celebrate de-growth?

Trending. Bushfire zone. Photo: Change Media

Trending. Bushfire zone. Photo: Change Media

Provocateurs corner: We want Trending to represent our tsunami of excess, the debris of our memories enshrined in plastic left behind by the coming storm. We increasingly live in a virtual world, yet every click, every view requires real bricks, mortar, energy, rare earth, plastic reality - a location on earth or in orbit. We need to see ourselves in the terrifying disasters of our making.

Trending: dreamcatcher and Lost Connection, Signal Point Gallery Goolwa, Jan 2021. Photo: Johanis Lyons-Reid

Trending: dreamcatcher and Lost Connection, Signal Point Gallery Goolwa, Jan 2021. Photo: Johanis Lyons-Reid


Credits

Creative concept, development and curators: Jen Lyons-Reid & Carl Kuddell

Sculpture: Jen Lyons-Reid, Carl Kuddell and Felix Weber

Provocations, text and cartoons: Jen Lyons-Reid & Carl Kuddell

Poetry: Poets tba

Photos: Change Media

Venues: Signal Point Gallery Goolwa. You can spot three of the fossilized dreamcatcher plastic bags on display at Coral St Artspace Victor Harbor until Nov 21, 2020.

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In 2018-2020, art Tags Trending, dreamcatcher, sculptures, this breath

_this breath: terracotta worriers

October 5, 2021 Carl Kuddell
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Terracotta Worriers

Don’t Obey Denial

Terracotta Worriers

Terracotta Worriers, 2020, are a doomed army of un-fired clay effigies charged with our collective fear. 120 worriers appear in sacrificial wastelands, march into a gallery, caught in their individual distractions, denials and delusions, to finally dissolve in gardens threatened environs. How are we all in this together?

Why do the privileged few shuffle on in denial, as communities in the sacrificial zones shout angrily that we need to take action?

Concept & development: Jen Lyons-Reid, Carl Kuddell

Sculptor: Lyn Lovegrove Niemz (with Ngarrindjeri community members)

Photos: Change Media and various participants

Video: Change Media (Johanis Lyons-Reid (camera), Piri Eddy (sound)

Terracotta Worriers at Signal Point Gallery Goolwa Jan 2021. Photo Johanis Lyons-Reid.

Terracotta Worriers at Signal Point Gallery Goolwa Jan 2021. Photo Johanis Lyons-Reid.

BUNKER RULZ 1: Obey denial. Fear can immobilize us. The Colony keeps us in fear to stifle our courage.

Why do the privileged few shuffle on in denial, as communities in the sacrificial zones shout angrily that we need to take action?

What are we scared of? How do we use daily distractions to deny what is happening globally? Who benefits from collective denial? How can we find courage to resist climate apartheid?

What risks are we willing to take?

Terracotta Worriers at Signal Point Gallery Goolwa Jan 2021. Photo Johanis Lyons-Reid.

Terracotta Worriers at Signal Point Gallery Goolwa Jan 2021. Photo Johanis Lyons-Reid.

Lyn Lovegrove Niemz collaborated with Jen Lyons-Reid and Carl Kuddell to sculpt Terracotta Worriers, an army of 120 unfired clay effigies carrying our collective denial and inertia. The full work was revealed at Signal Point Gallery Goolwa on Dec 11th.
How can we nurture courage to resist privileged ignorance?

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Terracotta Worrier in sacrificial zone May 2020. Photo Change Media

Terracotta Worrier in sacrificial zone May 2020. Photo Change Media

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Provocateurs corner: We conceived of Terracotta Worriers as a denialist army of exquisite pottery effigies adorned with daily distractions; clay phones, tablets, shopping trolleys. Essentially co-opted to become our tour guides, the ‘Worriers’ appear in all venues and across different media of the work, they march over and under dry river-beds, abandoned car parks, fire-ravaged bush and are left to decay in sacrificial zones.

Their goal is to remind us that we are bound together on this planet and to challenge the privileged ‘status quo’ myth that separates us. They are the guardians of our ignorance amidst complex crises and consumerist globalisation, and their myriad of emotions a crumbling reminder where avoidance, cowardice and fear can lead us.

Terracotta Worriers at Signal Point Gallery Goolwa Jan 2021. Photo Johanis Lyons-Reid.

Terracotta Worriers at Signal Point Gallery Goolwa Jan 2021. Photo Johanis Lyons-Reid.

Credits

Creative concept and curators: Jen Lyons-Reid & Carl Kuddell

Development: Jen Lyons-Reid, Carl Kuddell, Lyn Lovegrove Niemz

Sculpture: Lyn Lovegrove Niemz

Provocations, text and cartoons: Jen Lyons-Reid & Carl Kuddell

Poetry: Find our selection of 50 poems by 23 Australian poets here.

Photos: Change Media

Terracotta Worriers at Signal Point Gallery Goolwa Jan 2021. Photo Johanis Lyons-Reid.

Terracotta Worriers at Signal Point Gallery Goolwa Jan 2021. Photo Johanis Lyons-Reid.


Venues:

120 Terracotta Worriers at Signal Point Gallery Goolwa, Dec 11 2020 - Jan 27 2021

Coral St Artspace Victor Harbor with 10 Worriers - Oct 9 - Nov 21, 2020

Fabrik Arts Lobethal with 10 Worriers - Nov 7 - Dec 6, 2020

Many sculptures have been adopted by participants in various locations across metropolitan and regional South Australia throughout 2021.

Website: https://www.thisbreath.space/

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In art, 2018-2020 Tags this breath, sculptures, Terracotta Worriers, denial

Poet responds to The Colony

September 6, 2019 Carl Kuddell
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Mike Riddle sent us his poetry half way through our exhibition in Goolwa - it blew us away. He gave us permission to publish his responses to ‘The Colony - dare to stop us’ online and so we added a few images to clarify what his poems are referring to. And we invited Mike to participate in next years collaboration for ‘_this breath is not mine to keep’.

Please contact us for the original PDF of Mike Riddle’s anthology.

In art, 2018-2020 Tags Ngarrindjeri, sculptures, What Privilege, projections, games, 2019

Ngarrindjeri Culture Hub

June 4, 2017 Carl Kuddell
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Inaugural Ngarrindjeri Culture Hub exhibition in Murray Bridge, featuring a wide range of Ngarrindjeri artists and cultural practices

Read more
In art, 2014-2018 Tags Ngarrindjeri, exhibition, sculptures, Aboriginal, Indigenous, Cedric Varcoe, Damien Shen, Betty Sumner, Major Moogy Sumner, Lyn Lovegrove Niemz, Clyde Rigney Jnr, Jacob Stengle, Ellen Trevorrow, Bluey Roberts, 2017
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